Film
These are not stodgy actresses, but a diverse of group of women proffering salty temperaments, glowing façades, and the exquisite articulation that reflects decades on the stage.
The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
Ethan Hawke’s goal as an artist is to connect meaningfully with the world — avoiding artifice is essential in terms of his acting, directing, and writing.
All of Shirkers demonstrates the wonderfulness of making cinema. I Am Not a Witch dramatizes the mystery and solidarity of accused witches.
How will PC New Englanders react to seeing nutria gunned down by hunters, and some bashed on their heads to make sure they are dead?
Indie filmmaker Josephine Decker creates a brilliant showcase for Helena Howard, whose performance is electrifying.
The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.
Does Shakespeare need a digital makeover to stay relevant and entertaining?
Remembrance: Burt Reynolds — A Manly, Funny, and Prolific Actor
Burt Reynolds was appealing primarily because one always knew what to expect from him: sex appeal, charm, humor, and a manly warmth that permeated every part he played.
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