Film
Albert Finney was the greatest interpreter of England’s gift to the world of contemporary theater, the Kitchen Sink Drama.
It is safe to predict that the winner in this category will be one of the entries that squares off against mortality.
Despite the soap opera details, Everybody Knows never becomes implausible.
Shame on you, Academy, for such feeble, uninspired, downer picks.
Arctic avoids existential symbolism for the sake of expressing authentic emotions, most of them thanks to Mads Mikkelsen’s performance, a quiet tour de force.
Even an imperfect work-for-hire like Damaged Lives can show the touch of an artist.
These films will no doubt raise your spirits in the dead of winter.
Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.
M. Night Shyamalan turns the trilogy topper he needed to make after Unbreakable and Split into a preposterous group therapy session.
Cold War is a timeless story of romantic love, and its persistence in the face of upheaval.
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