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The Boston Camerata proffers a constant sense of discovery and rediscovery, of unusually lively musicianship and scholarship, and a sprightly sense of the humanity – and the snarly complexity – behind the music it performs.
If we are not diligent in maintaining high editorial standards, arts coverage will morph into misshapen forms of infotainment and advertising. Once those monstrosities are set in profitable stone, quality arts criticism and the arts will face a problematic future.
“Henrik Nordbrandt now holds a unique place in his homeland as its most celebrated national poet, who happens to have spent most of his adult life outside Denmark.”
The Slide Brothers fuse steel with gospel, Etana brings the roots back to reggae, Duke Levine steps out on his own, and much, much more this month.
Anyone interested in figurative art ought to rush over to Boston University’s Stone Gallery before “Teaching the Body” ends this Sunday.
April is a cornucopia of festivals and screenings, several of which feature speakers and are free. The month is capped off with the region’s top celebration of cinema, The Independent Film Festival of Boston.
“There is a difference between blood and guts, as celebrated in the current vogue of horror-slasher flicks, and the capacity of the darkest of the Grimms’ tales to pierce the thin skin of civility and mainline the dark caverns of the collective unconscious.”
A busy month that includes a pair of appearances by composer/conductor Oliver Knussen, turns by stellar pianists Evgeny Kissin and Lars Vogt. Also, the final concert this season in the admirable Music for Food Series.
Is it country? Is it rock? When it’s good, is there really a difference?
This unique and carefully constructed impressionistic narrative encourages viewers to free-associate, assess, and imagine the romantic relationship through the filter of their own memories and experiences.
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