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Unfortunately, there are only flickers of Kurt Vonnegut’s dark and playful genius in “Make Up Your Mind.”
Despite the band’s obvious affinity for alcohol, there’s nothing sloppy about OTP. They’re a tight unit.
A pithy critical consideration of new releases from Flaming Lips, The Frights, Mind Spiders, Radioactivity, Ólöf Arnalds, Lee Bannon, Armand Hammer, and Haunted Horses.
Charles Dutoit, one of the Boston Symphony Orchestra’s favorite guest conductors, drew playing of high energy and vivid color.
This is a movie that one Stone Roses fan made for other Stone Roses fans to enjoy. There’s nothing wrong with that though, and judged in this way, it’s a winner.
As might be expected from a choreographer who has created 140 dances, the varied program served as an annotated guide to Paul Taylor’s inquisitive and often dangerous imagination.
This remains a vision of a dystopian universe, but in the hands of these performers “Waiting for Godot”‘s angst exudes as much antic warmth as it does cold angst.
No pianist in his right mind is going to repeat this program. András Schiff had privileged us with a gift that only he could give.
Refreshingly, playwright Marianna Salzmann manages to be political without being didactic. Her characters live (rather than preach) through history, grappling with the transition from totalitarianism to democracy.
This is one fine neo-noir, expertly directed by Ridley Scott with a host of superlative star turns from Michael Fassbender, Cameron Diaz, Javier Barden, Penélope Cruz, and Brad Pitt.
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