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I do not remember disliking the characters in Anton Chekhov’s “The Seagull” as much as I did in this production.
Yes, Gary Numan’s jumped a bandwagon, but the former new-wave hitmaker has done it with style.
For at least the last decade, the LAPO has set the bar in creative programming, commissioning new works, and integrating itself into its community.
Heralded cellist Yo-Yo Ma has played with several distinguished pianists over the years, but none (are) better than Kathryn Stott.
Robin Lane’s story goes back to her ‘60s days as a child of Hollywood glamor, her long tenure as a Boston rock survivor, and her recent renaissance as a musical counsellor for abused women.
“Bernard Malamud is the great sentence-maker, the great craftsman, and the sheer quality of those sentences has never perhaps been given its complete due.”
Centered on the acting talents of the late Tuncel Kurtiz, the film is a ribald, engaging, and briskly-paced concoction of improvisation and folklore.
Although rather shallow in its characterizations, “Bad Words” makes up for this deficiency in its rollicking, R-rated demolition of a familiar character-building institution: the spelling bee.
Deconstructing the “White Album” — How the Beatles could fight Like cats and work like dogs.
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up this week.
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