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“The Shape She Makes” proffers an eloquent fusion of language and movement that pushes the boundaries of dance and theater without embracing the opaqueness that marks so many experimental productions.
Snappy new recordings of the music of Milton Babbitt and George Antheil from the Boston Modern Orchestra Project while cellist Christ Wild’s disc offers a fascinating journey through some richly diverse musical soundscapes.
Scott Bomar’s multi-generational band The Bo-Keys has almost single-handedly kept the soul tradition of the Stax and Hi labels alive.
My first thought: filming Donald Rumsfeld can only be rationalized if it’s a front for a citizen’s arrest.
Theater is a public art. And yet, the irony here is that the most profound communication between individuals can be the least publicly communicable.
Perhaps a movie such as “The Grand Budapest Hotel, which is much more than a zany comedy, can lead us back, as director Wes Anderson may have intended, to the fabulous writing of Stefan Zweig.
As a solo artist, Neil Finn’s moved away from straightforward pop and toward a moodier sound, with lyrics asking bigger questions about life and mortality.
“Falling Out of Time” is a book that gives all the truth that Israeli writer David Grossman can deliver, and far more intimacy than we strangers who are his readers have earned.
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