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4000 Miles is a showcase for dramatist Amy Herzog’s quirky sensibilities and canny insights into family dynamics.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
There are laughs in this production of Twelfth Night, but the romantic payoffs are scarce, perhaps because the sit-com rhythms tend to swamp all else (including some of the poetry).
Despite Woody Allen’s recycling of old ideas and plot points, his actors give such strong characterizations that I tossed my skepticism aside and enjoyed the moonlit ride.
From the start of Get On Up, James Brown’s life is reduced to the plastic clichés of music biography.
Shahrazad is the latest in Double Edge’s summer spectacles, and with this piece, director and designer Stacy Klein has found the perfect balance between story and visuals.
Awe-striking passages of deft realism are easy to find throughout the show. Wholly satisfying paintings, resolved from edge to edge and full of convincing purpose, are not.
At its core, Code Black is about the struggle faced by young physicians who want to remain idealistic in the face of our failing health care system.
The stupendous Fritz Lang retrospective running over the course of this summer at Harvard Film Archive will soon screen two Lang remakes (in America) of films directed by Jean Renoir.
Jazz buffs know about the Yellowjackets. This is a Grammy-winning band that writes and performs complicated, intricate compositions that cross countless boundaries and thus make them difficult to pigeon-hole.
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