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This was probably the loudest, rockingest Brian Wilson show I’ve ever seen.
The venerable Priscilla Beach Theatre was in danger of crumbling away — but it has been fully restored and is swinging into a summertime season of musicals.
In many ways, Alan Ayckbourn in Intimate Exchanges has concocted the perfect recipe for a company like the Peterborough Players.
“Ballet is only good when it is great,” the legendarily unblinking dance critic Arlene Croce once wrote; whenever I bring that judgement to mind it makes me both swallow hard and sigh softly.
The writing in this novel depends on winks and nods. You’re invited to be in on a big joke, assuming it is one.
Gunther Schuller dove into jazz with passionate hunger, in the process dispelling cultural, class, and racial prejudices.
The Theodore Baird House is a special place; the only Frank Lloyd Wright structure in Massachusetts.
Looked at on his own terms Thomas Hart Benton is an American Master and deserves to be reconsidered.
Arts Fuse Appreciation: Ornette Coleman’s Horn of Plenty
So there was the Ornette Coleman Quartet, leading off the final side of vinyl with a cut that changed my life, “Lonely Woman.”
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