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Each piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.
Winter Sleep is not the cinematic masterpiece so many have been hailing it to be.
The Dirty Dust is a novel of almost unbelievable invention, humor, pathos, eloquence, and fury.
The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.
French writer Pascal Quignard strives to peer beyond, or behind, what psychoanalysts typically rationalize as the primal parental realities.
New York and Paris both respected innovation, but Paris demanded that the new have a certain style.
From The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
Pianist Simone Dinnerstein’s new album, Broadway-Lafayette, features her on three pieces, all written since 1924, that celebrate musical ties between France and the United States.
The puckish, irrepressible personality of James Randi — magician, escape artist, debunker of seers, psychics, and all things paranormal — is at the zesty heart of this memorable documentary.
Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
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