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Book Review: Into the Labyrinth of Fragmentary Memories — The Novels of Patrick Modiano

November 19, 2014
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The prose of Patrick Modiano, this year’s Nobel prizewinner, has a distinctive French style whose directness and grammatical limpidity by no means exclude semantic depth and complexity.

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Fuse Film Review: “St. Vincent” — More Than a Formula

November 19, 2014
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Because of first-rate performances, St. Vincent rises above Hollywood’s standard ‘cranky old man finds love through friendship with needy child’ trope.

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Visual Arts Review: Harvard Art Museums Reborn – Spectacular Art in a New Showcase

November 18, 2014
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Starchitect Renzo Piano and his team did very well given their constraints. It is damn hard to build the right frame for so much abundant beauty.

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Concert Review: Michael Tilson Thomas and the San Francisco Symphony Orchestra at Symphony Hall

November 18, 2014
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Under Michael Tilson Thomas’s leadership, the San Francisco Symphony Orchestra’s sound has been refined and tightened; its repertoire has grown to embrace American music of all stripes.

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Concert Review: Håkan Hardenberger and Andris Nelsons at Symphony Hall

November 17, 2014
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Saturday’s attendance hopefully warms the hearts of the BSO’s management. Not only was the house very full, but the assembly also included a healthy proportion of younger heads.

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Poetry Review: “Long Way Back to the End” — Zero to the Icy Bone

November 17, 2014
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American poet Paul B. Roth is keenly aware that a striking phrase can set a dream in motion.

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Fuse Coming Attractions: What Will Light Your Fire This Week

November 16, 2014
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Arts Fuse critics select the best in music, film, visual arts, theater, author readings, and dance that’s coming up in the next week.

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Fuse Visual Arts Review: The Savage Cartoonistas at RISD — What A Nerve!

November 16, 2014
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What Nerve! takes an innovative and fresh take on a little-noticed but piquant tributary of American art.

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Fuse Theater Review: “The Real Thing” — A Play That Resonates with Reality

November 15, 2014
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The Real Thing’s discussion of linguistic precision may be telling now in ways that dramatist Tom Stoppard may not have anticipated.

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Fuse CD Review: Charles Lloyd’s Indelible “Manhattan Stories”

November 15, 2014
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Despite their somewhat muffled sound, both discs are valuable documents, not least because we hear the under-recorded Gabor Szabo in duet with Charles Lloyd.

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