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Brandy Burre is a trained actress who is artfully aware of the camera and its power: the director uses her skill as a performer to animate the film.
These films demonstrate what’s often so great about documentaries: here’s where you find real courage and everyday heroism, and not in mythic, muscular, blockbusters.
May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.
“To say that the occult ‘saved’ it is really to say that the spiritual agitation is at the heart of what was able to bring rock ‘n’ roll to its most interesting places.”
Go ahead, name another older rocker this side of Iggy Pop who can get away with playing most of his show bare-chested.
George Fifield has been pushing the conceptual ball called contemporary digital and intermedia art up a hill for decades.
The Schumann First formed the capstone to conductor Asher Fisch’s conspicuously satisfying Boston Symphony Orchestra subscription series debut program
Breath & Imagination is a realistic, moving, and very revealing take on what it means to be a black artist in America, both then and now.
At every turn I sense potential in The Americans, always untapped, for a smart sitcom.
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