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MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
The Grand Parade is a truly sumptuous feast of imagination, color, emotion and movement; a uniquely dramatic way of interpreting our history as a torrent of events presented without judgment.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
Lambert & Stamp will resonate with musicians who have experienced the volatile give-and-take that is needed to sustain and nurture a rock and roll band.
The Whole World focuses on the incoherence that lurks underneath the empowering narratives we tell about ourselves.
I’ve served on several dozen film juries about the globe in the last three decades. I can’t recall ever having a choice of so many splendid films from which to award a grand prize.
Slow West bursts with visual interest, but doesn’t seem to be able to settle on what story it wants to tell.
This is a powerful, intensely felt short novel about the lives of ordinary people by a very young Irish writer.
Had Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.
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