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Get your maps and open up your calendar app—it’s time to plan your summer of jazz in New England.
Nobel laureate Patrick Modiano understands that time periods can mesh, interpenetrate, layer up, blend, and blur naturally in the mind.
Film Interview: No Jumping to Conclusions in ‘Sunshine Superman” — Talking to Director Marah Strauch
Marah Strauch’s documentary tries to fathom Carl Boenish’s motive for taking his last leap.
“I was/am struck by the women in The How and the Why. I hadn’t seen them onstage before. Nor had I quite heard from them before.”
Patrick Dougherty’s Stickwork is a remarkable piece of public art.
Author Vivian Gornick’s discontent is foundational, fertile, unquenchable, except by writing, and quite often funny.
Rarely are Boston’s stages graced with a Shakespeare production that reaches this high a level of accomplishment.
Part of the maturity of Davey McGravy is how, though each poem has its own shape, each is a necessary part of the whole.
The performers must be so deeply invested in what they are doing that we are caught up in the narrative as its cobwebs are brushed away.
TV Commentary: A Fan’s Meditations on the Finale of “Mad Men”
People bonded with the product Mad Men was selling, but what were they falling for?
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