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The New Orleans JazzFest is made for omnivorous gluttons, which makes it a perfect complement to the region’s cuisine.
It is Kristen Wiig’s committed performance, along with director Shira Piven’s skill at comic timing, that grounds the satiric comedy’s absurd premise.
À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.
A cursory scan of audience reviews on the Ticketmaster website suggests that Rundgren’s current tour was disappointing his fans on a scale probably not seen in rock music since Bob Dylan went to England in 1966.
Radius Ensemble’s final performance of the season touched on examples of musical fantasy, worldly angst, and spiritual transcendence.
Not everybody loves the documentary Last Days in Vietnam. Director Rory Kennedy responds to some of the criticism.
I wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
Both of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
Ronan Noone’s allegedly frisky sex farce is bloodless.
Fuse Commentary: Five Minutes With NEA Chairman Jane Chu
God speed Chairman Chu on her mission to make the fine arts less marginalized in a determinedly bottom line culture, obsessed with the pragmatic rather than the imaginative.
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