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Book Review: “Days of Rage” — Counterculture Craziness

May 13, 2015
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How can you act sanely when your country is brazenly committing genocide? Many of us didn’t.

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Fuse Visual Arts: Janet Echelman’s Dazzling Aerial Sculpture — For Boston, the Sky’s the Limit

May 13, 2015
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With this one project, Boston has gone from a public art also-ran community to a serious cultural player.

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Fuse Remembrance: Conceptual Artist Chris Burden — Political But Playful

May 12, 2015
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Chris Burden’s distinctive contribution to the art of our time was that he brought politically informed performance art and idea-based sculpture into the mainstream.

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Alt-Rock Preview: Waxahatchee, Mitski, and Speedy Ortiz — Girls Just Want to Eat Guitars

May 12, 2015
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Waxahatchee exuded poise and presence, while delivering lonesome-cowboy epiphanies that speak to their generation’s collective existential shrug.

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Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part Two

May 11, 2015
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I would like to think that there are more composers working today who think of themselves as beyond category.

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Album Review: Just Weird Enough — Axel Krygier’s Art-Pop Finds the Fun Spot

May 11, 2015
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Axel Krygier wisely treats the album’s framing concept as lightly as possible, turning Monsieur Bigfoot into a sort of Everyhominid who offers existential-woe comments on a variety of subjects.

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Fuse Film Reviews: At Jewishfilm.2015 — History’s Revelations

May 9, 2015
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The 18th Annual Jewish Film Festival approaches its end with two compelling cinematic looks at Jewish history.

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Music Review: New Orleans Jazz & Heritage Festival 2015

May 9, 2015
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The New Orleans JazzFest is made for omnivorous gluttons, which makes it a perfect complement to the region’s cuisine.

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Film Review: “Welcome to Me” — Me and TV, The American Dream

May 8, 2015
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It is Kristen Wiig’s committed performance, along with director Shira Piven’s skill at comic timing, that grounds the satiric comedy’s absurd premise.

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Film Review: “À la Vie” — A Flawless Study of Time and Trauma

May 8, 2015
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À la Vie, screening as part of the 18th Annual Jewish Film Festival, is easily the best film I have seen so far this year.

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