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Film Review: “Paterson” — A Very Ordinary Visionary

January 23, 2017
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Paterson is a movie about how ordinary it may be to see the world in a grain of sand.

Dance Review: ODC/Dance — Science and Sensuality

January 23, 2017
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In both pieces on the ODC/Dance program, serious ideas underlay a lush movement language adorned with striking scenic effects.

The Arts on the Stamps of the World — January 23

January 23, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

CD Reviews: Jerusalem Quartet plays Bartók and Heath Quartet plays Tchaikovsky

January 22, 2017
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Jerusalem Quartet’s Bartók is more elegant than hard-edged; Heath Quartet’s Tchaikovsky is vigorous and sweeping.

Theater Review: “Trick or Treat” — A Domestic Horror Show

January 22, 2017
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A less skilled playwright might have gone for the obvious and focused on mercy-killing and the ravages of Alzheimer’s.

Film Review: “Silence” — Martin Scorsese’s Mute Spiritual Odyssey

January 22, 2017
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Did Martin Scorsese want this film about religious faith to reverberate so faintly, to make its point through such awkward stillness?

The Arts on the Stamps of the World — January 22

January 22, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

The Arts on the Stamps of the World — January 21

January 21, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Film Review: “Patriots Day” — So Close to Home

January 20, 2017
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Patriots Day provides an intimate view of a heart-stopping week.

Music Preview: Interview with Composer Adam Schoenberg

January 20, 2017
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Adam Schoenberg is also one of the most widely-performed living composers of orchestral music; in fact, he’s among the top-ten in that category.

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