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Theater Review: Peterborough Players’s “Ripcord” — Arguing for a Full Life

February 17, 2018
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David Lindsay-Abaire’s tightly woven comic script celebrates the everyday relationships that make up an argument for a full life.

Theater Review: “Hype Man” — Art Versus Politics

February 16, 2018
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At a lean ninety minutes long, the play tackles too many big issues to do them justice.

Visual Arts Review: “Then They Came for Me” — Pictures of Deportation

February 16, 2018
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Then They Came for Me is an invaluable exhibition that packs a considerable  (and necessary) wallop.

Theater Review: “An Education in Prudence” — An Admirable History Lesson

February 15, 2018
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An Education in Prudence offers fascinating glimpses into a repressed episode in American history.

Film Review: “The Insult” — Contrived Courtroom Drama, Interesting Backstory

February 15, 2018
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The film becomes a made-for-TV trial melodrama, with actors delivering oratorical speeches and the plot spinning several times with contrived, made-to-shock revelations.

Jazz CD Review: Kate McGarry’s “The Subject Tonight Is Love”

February 14, 2018
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Kate McGarry’s latest release is a gorgeous seminar on the many facets of love.

Music Interview: The Sweet Remains — Performing Only When the Stars Align

February 13, 2018
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This is a folk/rock trio whose sound and haunting harmonies harken back to Crosby, Stills & Nash, the Eagles and Simon & Garfunkel.

Classical Concert Review: BMOP celebrates Joan Tower

February 13, 2018
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Above all, Joan Tower’s music doesn’t waste your time.

Book Review: Ezra Pound in “The Bughouse”

February 12, 2018
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For all his literary fecundity, Ezra Loomis Pound was also more than a little bonkers.

Film Review: “Tehran Taboo” — Mesmerizing Animation

February 12, 2018
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Tehran Taboo –- which never would have been allowed to be filmed in its title city—is technically accomplished in its often gorgeous visuals and its textured sound design.

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