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Demanding that people pay attention to quality is about as audacious a demand you can take in our giddy culture.
In its efforts to cram so much information into so small a space, the narrative becomes unfocused.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
Pledge is Daniel Robbins’ third film, and his first really good one.
The authors let dance serve as a way of embodied knowing — an intelligence that can unlock an understanding of physics’ theories and abstractions.
This hardscrabble crime thriller is also a powerfully subtle character study.
Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?
Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
Here is what a smart, savvy viewer who likes high-quality entertainment is looking forward to on TV this year.
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