Featured
“I see myself as I’ve always seen myself, as a pop musician in a folk genre.”
The Other Side of the Wind may inspire brooding melancholy in some, but it’s also pretty damned fine.
Diane Williams’s brusque vision of a perverse life force mesmerizes.
“I still remember; I sat in his class, and I felt my future changing as he spoke.”
Without question, this BPYO rendition of Shostakovich Ten was one of the most urgent and necessary of any symphonic score I’ve heard all year.
Perhaps Eugène Delacroix is best regarded as a leader of the resistance to academic art, part of the transition to impressionism.
This set is surely one of the finds of the year.
This recording challenges our settled sense of what art music, in conjunction with colorful spoken and sung verse, can accomplish.
This is a bewildering, frustrating, deeply weird novel, densely written and remarkably free of signposts.
For once, an exceptional reboot of a classic game.
Recent Comments