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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
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Pledge is Daniel Robbins’ third film, and his first really good one.
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The authors let dance serve as a way of embodied knowing — an intelligence that can unlock an understanding of physics’ theories and abstractions.
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This hardscrabble crime thriller is also a powerfully subtle character study.
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Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?
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Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
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Here is what a smart, savvy viewer who likes high-quality entertainment is looking forward to on TV this year.
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“I want our music to be genre-less. Actually I want it to be genre-more.”
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River Music will satisfy the slightly adventurous listener as few other records I heard last year.
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