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Michael Kiwanuka blends singer/songwriter with funk and soul, the energy of Afro-pop with the intensity of psych and prog.
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A victim Adrienne Miller is most certainly not: the self-portrait that emerges in her pages is of an accomplished, wise, wittily self-deprecating author of her own destiny.
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For me, Sweat hits its riveting stride in its second half, when the pressures of the strike tests the relationships of its working class characters.
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The Field is a fairly original, if slightly problematic, folk horror-tinged story.
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Lawrence Joseph makes the case that representing violence in verse is necessary because of poetry’s value as art: to concisely capture these deadly events.
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Amina Cain’s style is unusual, and it may tow readers so rapidly through this brief novel they won’t look back.
The message of August Wilson’s final play: the future rests not on the number of Whole Foods we build but on the culture we value.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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The overall effect is one of a genial, superficial club lecture on reading and writing poetry, punctuated by Frost’s Greatest Hits.
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The recital of this remarkably self-aware singer was a series of highly literate and musically satisfying mini-dramas.
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