Featured
The Lodge suggests that our money, social privilege, and carefully-crafted stability are not enough to keep the wolves from the door, or to protect us from the dangers that lurk indoors.
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There’s hardly a minute in this hour-long show that isn’t stirred by singing, clapping, stomping, and drumming.
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The stories in Citrus exhibit a powerful commonality: these portraits of th3e experiences of black women suggest that, over time, everything and nothing has changed.
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The band has tackled the Trump era with an urgent political edge on two recent albums that have surely lost them a share of good ’ole boys who were part of earlier audiences.
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Composer Steve Lampert wrote “Zigsaw” at the request of saxophonist Noah Preminger, whose group recorded it for one of 2019’s most provocative albums.
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At times, Zombi Child successfully hovers between spooky documentary and an art house coming-of-age film.
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A pianist of real character and refinement – plus a huge career in Europe – Lucas Debargue was on hand to lend his musicianship to a relatively rare outing of Franz Liszt’s Piano Concerto no. 2.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Pauline Kael capitalized on counterculture snobbery, the pecking order of the oh-so enlightened.
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As my second wave feminist companion said as we left the theater, “That was hilarious. And I am SO ANGRY.”
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler