Featured
World premiere recording of an utterly delicious 1872 comic opera, recorded without spoken dialogue, so you can just revel in the music and the singing.
Read More
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read More
Taken together, these four pieces showcase a composer whose handling of the orchestra is expert and whose sense of form, in these works at least, feels unerringly right.
Read More
Philip Glass’s librettist Arthur Yorinks offers his thoughts on whether and how to update an opera as the Boston Lyric Opera releases its revamped and filmed version of The Fall of the House of Usher.
Read More
Films like Breaking Fast introduce audiences to cultures that they may not be familiar with — that they may even be hostile to — but through conflicts and dreams that are universal, that revolve around family, love, and friendship.
Read More
This is a wicked and entertaining satire on the dizzying class conflicts roiling Indian society, a neo-Marxist story of masters and servants, money and corruption — a Horatio Alger tale with a devilish twist.
Read More
I may be in quarantine, but music can transport me back to the Middle Ages, or to the court of Catherine the Great of Russia, or, via Donizetti, to an imagined India.
Read More
Azizler is a slow burn; unfortunately, the payoff isn’t worth the wait.
Read More
Politics is not the filmmaker’s interest in this lovely, affecting documentation of non-bureaucratic, everyday life in Havana.
Read More
This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”
Read More
Holiday Commentary: Making Room for the Stranger