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Dull, flat, and boring, with no discernible personality, the Olympics 2020 graphics made no impact on anyone other than, perhaps, its creator/developers and maybe a (very) few members of the host committee.
Ermanno Wolf-Ferrari’s delightful 1906 comic opera, via the first recording of the version heard at the work’s premiere.
Filmmaker David Lowery plumbs the depths of this ancient tale, discovering the places where the human and the otherworldly intersect, where the earthbound meets the ethereal.
As the age of COVID-19 wanes (and waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Is what we see real or in the spirit world? Whatever, I cheer on filmmaker David Lowery’s luminous time-traveling. Pure cinema poetry.
Like Blinky in Pac-Man, the narrator of this provocative but often frustrating and diffuse book gobbles up everything.
The painter Albert Pinkham Ryder points a way towards materials, not just as a means or a substrate, but as a phenomenology, as a basis for a reflective life.
I want to gird you, readers, for the insanity and beauty of Annette
CSC pulled out all the stops for its turn at The Tempest, bringing together a cast that is more than up to the challenge of knitting together poignant drama and madcap comedy.
Theater Commentary: Is It the Right Time for “Our Town”?
These days, I’m not in a mood to be comforted in the theater by either toasting or roasting chestnuts.
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