Featured
This was an artist who approached his singular craft with equal measures of exuberance and precision.
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Why bother giving big-budget Hollywood projects to up-and-coming Black filmmakers if they’re just going to be neutered and cut to shit before release?
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Shakespearean’s version of the Bard comes off as somewhat Monty Pythonesque — we are usually marching along with “Men Men Men.”
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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This was a generous two-set show whose imaginative pacing spotlit exploratory jams and interesting reconstructions of classic Dead fare.
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Madeleine George’s uneven 90-minte one-act comedy/drama borrows heavily on Greek mythology to zip up the misadventures of a cluster of suburban women in New Jersey,
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For Joan Tower fans, this disc is a must; for the Tower-curious, it offers an excellent introduction to the composer’s wider work, all of it compellingly played.
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It might seem a stretch to pair drummer Andrew Cyrille’s disc with composer/trumpeter Amir ElSaffar’s. But both spent time under the tutelage of the redoubtable Cecil Taylor, and it shows.
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Interpretively, this installment in the BSO’s cycle of Dmitri Shostakovich’s fifteen symphonies is occasionally (and a bit surprisingly) spotty.
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Book Review: Elizabeth Warren and Alexander S. Vindman — Gifted with a Moral Compass
The idea of America is elusive and sometimes, like right now, in danger of disappearing. That is why I have found myself turning for comfort to two books that can give us some perspective as to how to move forward.
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