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Like his idol, Todd Rundgren, John Powhida is a bit of a musical shape-shifter, evoking a broad range of styles but always with his unique and easily recognizable stamp.
During the pandemic months, Conrad Tao – who, in addition to being an exceptional pianist, is also an accomplished composer – has evidently been honing his skills as an improviser.
Single All the Way is a Hallmark Christmas movie with two gay men inserted in, which means they have just as little chemistry as the straight couples in these films do.
The Feast isn’t coherent enough to go toe to toe with modern folk horror heavyweights, but it’s an admirable entry in the canon.
Two new Chicago-connected releases explore combinations of flute, cello, percussion and more to good effect.
As it chronicles the rise and fall of the titular Von Dutch brand, the series tries to exploit nostalgia and true crime at the same time.
For all the sensual lushness of Melissa Broder’s writing, that hard center remains, one where appetite invites awareness, bringing with it pain as well as satiety.
The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
Boiling Point is as suspenseful a film as anything else I’ve seen this year.
There are three key words in the title: “music,” “change,” and “everything.” At its best, the series convincingly shows how they are linked. Other times, it embraces too much of one at the expense of the other two.
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