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The Field Recorders’ Collective is dedicated to preserving and distributing non-commercial recordings of traditional American music that are not available to the general public. In January, took three gems out of the archive and made them available to stream and download.
Here are some recommendations of concerts with hybrid works coming to the Boston area in the months ahead.
Quirky and heartfelt, Freeridge is sure to please fans of On My Block as well as to make new viewers aware of the multi-cultural merits of the inner-city of Los Angeles.
There’s no question the Beatles come out of John Higgs’ superb book Love and Let Die looking far better than James Bond. Love tends to play better than death and it’s easier to root for working class underdogs than Establishment snobs.
Left to her own devices for a change to pick the material, the format, and the musicians, singer Jo Lawry has chosen with grace and guts.
2022 was a year in which hybrid musical forms reached more Boston audiences than ever before. 2023 promises to open even more doors. The Place Between is no longer dangerous territory, a detour, or a side road. It has become a destination in itself.
This incisive, compelling, and spirited analysis of the screwball maestro’s life and oeuvre illuminates the art of an overlooked genius.
What emerges from even a cursory study of Anna May Wong’s life is that her complexity and depth were rarely acknowledged but she used her intelligence to control the narrative as much as she could.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Theater Remembrance: Trinity Repertory Company Director Adrian Hall
During his career as the founder and artistic director of the Trinity Repertory Company in Providence (from 1964 to 1989), Adrian Hall achieved a lasting place in the American theater as a visionary director.
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