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A reprint from 50 years ago, this small book brings to the English-speaking world a strategic introduction to the work of a major French poet of the twentieth century.
Two documentaries at PIFF show how we got to where we are now.
Nye Ffarrabas and others in Fluxus created intermedia events that pushed the boundaries of prevailing norms in painting, sculpture, poetry, music, architecture, and theater.
Nathan Go’s debut novel is entertaining, emotionally resonant, and raises provocative questions about forgiveness, redemption, and love.
Bravo for the Boston Dance Theater’s decision to venture outside of Boston and perform at an interesting venue in Portland, ME.
The fox knows many things in My Stupid Intentions. The beech marten just one.
Given the overwhelmingly loud and appreciative response from the sold-out crowd, which hung on every note of Leslie Odom, Jr.’s diverse and stirring set list, he’s unlikely to forget Groton anytime soon.
Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
At New Hampshire’s just-christened Nashua Center for the Arts, 68-year-old jazz guitarist Pat Metheny shared a wily sidelong glance at his own broad compositional and improvisational history.
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