Featured
The authors assembled in “Crimean Fig” demonstrate they are unafraid to speak up for Tatar language and culture, while simultaneously speaking out against Putin, unwilling to submit.
Knowing that artist Peter Hujar died of AIDS in 1987—one of countless casualties of a devastating epidemic that cut short so many artists’ lives—gives the film a sad, mortal urgency.
“The Seduction” is visually stunning but, even though it is the magnificently clothed French aristocracy, it all comes down to unremarkable people behaving badly.
Reading “February 1933”, just ten months into Trump’s second mandate is nothing less than unnerving.
“Stumble” is a welcome addition to the increasingly tired mockumentary genre.
Elizabeth Howard speaks with Dr. Shuvendu Sen—the director and producer of “Broadway, Bars & Fortune,” a documentary that explores how theater and the arts fosters healing and redemption among formerly incarcerated individuals.
There’s no question that the author of “Criss-Cross” approaches “Strangers on a Train” from a gay-centric viewpoint.
Luke O’Neil doesn’t have any solutions to our political dissipation, but he certainly knows how to diagnose its illnesses.
Jazz Commentary: The Enduring Enigma of Chet Baker
I take a look back at the compelling documentary “Let’s Get Lost” because of the recently released “Chet Baker Performs and Sings: Swimming by Moonlight”, 15 unreleased studio recordings made by the trumpeter.
Read More about Jazz Commentary: The Enduring Enigma of Chet Baker