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This book is a fiery manifesto that charges that copyright law today is an outrageously unjust scheme that does nothing for 99 percent of authors, other creative people, and their fans, while it locks up a commodity that fills the coffers of large corporations.
Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.
The Aussie teen soap falls victim to the dreaded sophomore slump.
This week’s poem: Andrew K. Peterson’s “After H.D. and Meat Loaf”
Who would predict that this perfectly calibrated tale would be yanked out of its early 20th century setting and become dystopian science-fiction?
The renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.
In this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
The Lyric Stage Company production almost meets the challenges posed by this delightfully inane musical farce.
“We have much less protection over our right to vote than most people think.”
Jean Trounstine’s experience enables her to present convincingly the desperate circumstances of people whose family members have been arrested and incarcerated, sometimes legitimately, often not.
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