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Book Review: Doris Kearns Goodwin and Gretchen Whitmer — Disappointing Guides

August 24, 2024
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The rewards are slight in new politically-minded books by a pair of shrewd and perceptive women.

Jazz Album Reviews: Two Masters of the Jazz Harmonica

August 23, 2024
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Here are two new and very different records from virtuosos of the jazz harmonica, both seasoned pros, and one of them deserving of much wider recognition.

Film Revival Review: “Lost Highway” Takes Its Toll

August 23, 2024
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For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.

Jazz Album Reviews: A Trio of Superior Recordings Featuring Master Guitarists

August 22, 2024
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Three guitarists — Bill Banfield, Ray Obiedo, and Lee Ritenour — release superb albums.

Weekly Feature: Poetry at The Arts Fuse

August 22, 2024
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This week’s poem: John Godfrey’s “Sky of One Planet”

Visual Art Review: Contemporary Ferns and Mounds at the Coastal Maine Botanical Gardens

August 21, 2024
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This summer’s installation of new sculptures is evidence that creative interventions in nature can be harmonious.

Concert Review: Boston Landmarks Orchestra — Dancing Freely at the Hatch Shell

August 21, 2024
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Performing with the Boston Landmarks Orchestra, dynamic Canadian violinist Adrian Anantawan made music by Piazzolla and Florence Price burn blue hot.

Theater Review: Sutton Foster Shines Bright in Broadway Revival of “Once Upon a Mattress”

August 20, 2024
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This “Mattress” is all about Sutton Foster. And that’s a good thing.

Book Review: “Inheritance: The Evolutionary Origins of the Modern World” — Breezy and Bumptious

August 20, 2024
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Notwithstanding the book’s research foundation, albeit colorfully amplified with personal and historical anecdotes, as a civilizational story Inheritance is a lightweight effort.

Classical Album Review: Baroque Music — But Guitar, No Harpsichord — Beautiful!

August 19, 2024
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In Handel’s day, excerpts from his operas were often played at home, without singers. They sound great on this new recording by the group humorously (and quite inaccurately) called False Consonance.

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