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by Sally Steinberg American chef Steve Johnson knows what he’s doing. A rendezvous in Central Square is a rendezvous with well-being. What’s in a name? When it comes to the restaurant Rendezvous in Central Square, a lot. There’s location, the crossroads thing. There’s social resonance, the people thing. There’s the history of Steve Johnson, chef/owner…
By Caldwell Titcomb The Boston Modern Orchestra Project (BMOP) began its season in Jordan Hall on November 13 with an unusual and enthralling concert that it advertised as a “Big Bang” event. In all three works on the program the emphasis was on a huge assortment of percussion instruments both familiar and exotic.
By Helen Epstein Reckless by Graig Lucas. Directed by Scott Edmiston. Presented by the SpeakEasy Stage Company at the Boston Center for the Arts through December 12, 2009. Just in case you haven’t noticed it’s edging on toward Christmas, the SpeakEasy Stage Company unwraps “Reckless,” a bauble of a revival by playwright Craig Lucas, whose…
By Bill Marx Much new material since the October update for those with an interest in international literature. My latest podcast features an interview with journalist and author Justine Hardy, whose latest book (published by the Free Press), “In the Valley of Mist: One Family in a Changing World,” continues her exploration of life in…
By Caldwell Titcomb The Boston Lyric Opera (BLO) is currently offering Georges Bizet’s “Carmen,” his last completed and finest opera, which had its delayed and unsuccessful premiere in 1875. According to Opera America, “Carmen” ranks No. 4 in the list of most performed works from the 1880s to 2005, surpassed only by Puccini’s “Madama Butterfly”…
By Justin Marble “The Beaches of Agnes” At the Coolidge Corner Cinema If a motif exists in Agnes Varda’s sprawling new documentary, “The Beaches of Agnes,” it may just be the art of walking backwards. The 81-year-old director, famous among the art house crowd for French New Wave films like “Cleo from 5 to 7,”…
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community-making power of interactivity. This is our first session. Review by Ian Thal Review by Timothy Longman Review by Peter Cohen Artist response by Shawn LaCount Summary…
Beyond the Golden Door: Jewish American Drama and Jewish American Experience by Julius Novick. Palgrave Macmillan, 2008; paperback 2009, 200 pages. Reviewed by Caldwell Titcomb The Jewish presence in the United States goes back to the16th century. In 1584 Sir Walter Raleigh recruited the expert Prague-born Jewish metallurgist and mining engineer Joachim Gans/Gaunse to join…
By Caldwell Titcomb Argentinian pianist Ingrid Fliter made her Boston debut with a Celebrity Series recital in Jordan Hall on November 1. Now 36, she started playing in public at the age of eleven. For this appearance she offered music by Beethoven, Chopin, and Schumann.
By Bill Marx Somewhere an enterprising graduate student is working on a trenchant study of the correlation between holiday stage entertainment and the American economy. When things were looking bright and profitable the shows became cynical and comic, with mischievous elves placing whoopee cushions under our delusions of good cheer. Now that unemployment is high…
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