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But make no mistake about these two novels; they are not just delicious, hilarious capers. They glow in the mind because they are informed by Elizabeth Jolley’s understanding of our common loneliness and her sympathy with the myriad, ingenious connections we make to try to alleviate it. The Sugar Mother by Elizabeth Jolley. Persea Books,…
You can understand why historian and novelist Richard Francis became attached to this quixotic piece of New England history. It’s got an amazing cast of colorful characters, and dramatic rivalries that involve contests over land, love, money, and sex. Fruitlands: The Alcott Family and Their Search for Utopia by Richard Francis. Yale University Press, 344…
Translating what became Under a Cruel Star was a labor of love as well as a work of feminism. There were few memoirs around of a life that spanned Nazism and Stalinism. None was written by a woman. By Helen Epstein. Readers of today’s New York Times found a remarkable story on the obituary page:…
I figure you know where the killer Scrooges are, so this month I look for alternatives to the usual holiday fare. The American Repertory Theater and GAN-e-meed Theatre Project are serving up something different, and SpeakEasy Stage Company says it has found “hip” holiday fare. I have heard that one before, but you never know.…
Call it anarchistic boorishness, an artist chomping on the hand that feeds him. But at least Thomas Bernhard is honest about why he welcomes awards — he wants the money, especially because the amounts, given European largess to its culture-makers, are considerable. My Prizes: An Accounting by Thomas Bernhard. Translated from the German by Carol…
Gish Jen’s novel about New England small-town life in the new millennium, “World and Town,” has just come out in a paperback. We greeted the hardback edition of the book with a Judicial Review, a fresh approach to creating a conversational, critical space about the arts. It is a good time to highlight the innovative approach again. The aim is to combine editorial integrity with the community—making power of interactivity.
This exhibit is ideal for the budding designer to come and admire dresses with structured tulle, unique hems, bias cut silk, pounds of beads, sequins, and rhinestones, weaved organza and mink accents. Scaasi: American Couturier at the Loring Gallery at the Museum of Fine Arts, Boston, MA until June 19, 2011. By Megan Trombino It…
Ultimately, Basil Twist’s Petrushka is a meditation on the tension between the animate and inanimate, a story that lets a puppet explain what it’s like to be a puppet, a fable that argues that to be alive is to recognize causality and suffering—and that the ability to suffer is paradoxically a precious gift. Basil Twist’s…
And so I go, Jewish and glad to be, theatre director—maybe between gigs, old enough to believe that movies are best on the big screen among other (quiet) viewers and that you don’t have to be Jewish to love good Jewish movies. By Joann Green Breuer The danger of speaking critically of any ethnic art…
Tribes makes us privy to the dynamics of a twenty-first-century, secular, Jewish family in a series of fast-paced scenes that leave few holds barred. The parents—middle-class, middle-aged, hyper-verbal intellectuals—are trying to cope with the fact that their three adult children have returned to inhabit the nest. By Helen Epstein. When I first wrote London friends…
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