Featured
A pair of pleasant traversals of the French master’s complete piano music, or thereabout, from the still-relative-newcomer Seong-Jin Cho and the established Jean-Efflam Bavouzet.
“Heart-work,” Roberta Silman’s new collection of stories, looks at the knotty intricacies of domestic life.
The Russian dramatist’s expansive application of ridicule, his picture of human society as an endless chain of fools fooling fools fooling fools, couldn’t be more fitting — it is a funhouse mirror of our times.
Two picture books explore issues of gender, self-identity, and gender stereotypes for a young audience.
The fourth and final season of Danny McBride’s demented comedy comes to a satisfying conclusion.
Semyon Bychkov supplies an extraordinarily well-played account of Mahler’s Third; Paavo Järvi’s version of Mahler’s Fifth avoids the more idiosyncratic excesses of Leonard Bernstein’s superb 1987 Vienna recording.
The exchange proved to be as fruitful for the artists as it was for the Shakers.
In her stimulating book, Eva Díaz presents more than 30 conceptually minded artists who “reconsider how the applications of technologies used in near and outer space, once billed as progressive and exploratory, are today rife with negative effects such as resource depletion and privatization, economic inequality, and racial and gender domination.”
Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
Recent Comments