Dance
The performance I saw on Friday night revealed Boston Ballet’s priorities: while the dancers possess a high degree of technical skills, they have a looser notion of nuanced acting.
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Anne Teresa De Keersmaeker invites the audience to let go of outside distractions and meditate on our own deeper feelings.
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Red Sky Performance’s hold-your-breath physicality provides plenty of “wow factor.”
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Gallim specializes in depicting raw emotions through movement.
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A passion for authenticity characterized this mesmerizing program from beginning to end.
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Fresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.
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In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?
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The horrors portrayed in See You Yesterday are facts, but this show does not yet address the meaning a new generation can make of those facts.
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Here was another (all-too) typical example of ballet companies reinforcing a patriarchy that hardly reflects the number of women in their ranks.
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Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
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