Dance

Dance Review: Dorrance Dance’s “Blues Project” — Keeping Tap Alive

March 15, 2015
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Without being at all didactic, Michelle Dorrance reveres tap history by adapting traditional ideas, then resolving them unexpectedly.

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Dance Feature: “Available Light” — Revived at MASS MoCA

March 11, 2015
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In Available Light , Lucinda Childs’ dancers execute a series of movement phrases which to a viewer may seem simple, but in fact require intense focus and control on the dancers’ part.

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Dance Review: At Dance Complex — Peter DiMuro’s Complexities

March 8, 2015
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Since joining the Dance Complex as executive director nearly two years ago, Peter DiMuro has been committed to widening the niche-bound notion of dance.

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Dance Review: Sarasota Ballet Will Perform New England Premieres at Jacob’s Pillow

March 5, 2015
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The Sarasota Ballet will make its New England debut at Jacob’s Pillow in August with a program that includes two works of mid-20th century choreographer Sir Frederick Ashton.

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Dance Review: Where Minimalism Went

March 4, 2015
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Minimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.

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Dance Review: Boston Ballet — A Respectable “Lady of the Camellias”

February 28, 2015
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What I didn’t see opening night was passion. The characters, all living on the edge of respectability, are comfortable in their own world, but as individuals most of them don’t assert themselves.

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Dance Preview: Compagnie Shantala Shivalingappa at the ICA

February 21, 2015
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The Boston debut of internationally-acclaimed classical Indian dance performer Shantala Shivalingappa.

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Dance Review: “Gumshoes in Tap Shoes” — Sleuthing for a Voice

February 9, 2015
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Gumshoes in Tap Shoes, a dance noir with ’60s big-band music from the likes of Henry Mancini, is an ambitious project.

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Dance Review: Smile and Sneer — Mark Morris at the ICA

January 24, 2015
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Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.

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Dance Preview: Radio Dancing — A Conversation with Monica Bill Barnes

January 17, 2015
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Monica Bill Barnes’s choreographic method can be characterized as make ’em laugh, then make ’em think.

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