Dance
Since joining the Dance Complex as executive director nearly two years ago, Peter DiMuro has been committed to widening the niche-bound notion of dance.
Read MoreMinimalism doesn’t make narrative or emotional demands. It shows you a surface, and if there’s anything below the surface, you draw your own conclusions.
Read MoreWhat I didn’t see opening night was passion. The characters, all living on the edge of respectability, are comfortable in their own world, but as individuals most of them don’t assert themselves.
Read MoreThe Boston debut of internationally-acclaimed classical Indian dance performer Shantala Shivalingappa.
Read MoreGumshoes in Tap Shoes, a dance noir with ’60s big-band music from the likes of Henry Mancini, is an ambitious project.
Read MoreNow 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
Read More“My first order of business is to do a listening tour. I will have the same question for everyone I meet: what do you need to do your work?”
Read MoreIf you know Swan Lake, there will be few structural surprises. Girl turned into swan, prince falls in love, prince gets fooled, they both feel really terrible, and die.
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Arts Commentary: Rich in Creativity — But Nothing Else