Dance
In red gloves and dark glasses, popping and locking, the Wondertwins are both imposing humans and robotic objects, organic and mechanical reproduction.
Read MoreMark Morris’ choreography for his 18-member ensemble alternates between joyful ring-around-the-rosy and contra dance circles.
Read MoreCarrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
Read More“The Shape She Makes” proffers an eloquent fusion of language and movement that pushes the boundaries of dance and theater without embracing the opaqueness that marks so many experimental productions.
Read MoreBoston Ballet is showcasing a number of its ballerinas in the title role of Cinderella.
Read MoreSurrounded by the gilded ornamentation of the Boston Opera house, the three minimalist pieces that make up “Close to Chuck” could not be any more of a contrast.
Read MoreIf calculating pi to a far-off-integer isn’t for you, TAO Dance Theater’s baffling kinetic exploits may seem less like an incredible journey than a trudge to a dead end.
Read MoreAs for pulling out themes from Bill T. Jones’ gathering of tales, well, the bedrock of human existence seems to be very much on his mind — life and death, landscape and memory.
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Dance Commentary: Learn to Love Something By Doing It, or How I joined Le Grand Continental and Discovered the World of Dance
I hope thousands of people show up to see Le Grand Continental-Boston next weekend. Not to see me, but to see how dance can change the way we appreciate our world.
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