Dance
Few companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
Get your maps and open up your calendar app—it’s time to plan your summer of jazz in New England.
The performers must be so deeply invested in what they are doing that we are caught up in the narrative as its cobwebs are brushed away.
What happens when someone performs at the highest possible level of an art form and then has to give it up?
Jamie Kirsch describes Les Noces as “a non-stop, energetic, tour-de-force ride that lasts 25 minutes without a break and leaves you breathless by the end.”
Contemporary dance has no useful definition; maybe we could think of it as an attitude, a constantly changing venture.
Two 20th century gems bracketed the evening, and all four works showed how the ballet idiom can serve and be served by classical music.
I wondered why the Elders Ensemble program so consistently portrayed the elders as somber and withdrawn.
MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
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