Dance
I missed the trademark orange Dynel wigs and the zany non sequiturs of the past, but Karen Krolak and the crew were still playing with fractured language.
My overall impression of the ballet was of earnest pretension.
The Spellbound Contemporary Ballet performed the U.S. premiere of Le Quattro Stagioni.
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.
The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.
Most of the piece was carefully engineered; it seemed more calculated than liberated
Boston Ballet’s reconstructed versions of Yakobson’s Pas de Quatre and four Choreographic Miniatures were a revelation.
A fascinating documentary in which you get both a Paul Taylor dance and the making of the dance.
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