Dance

Dance Feature: Cloud Gate Dance Theatre — Moving Like Brush Strokes

September 15, 2015
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“It was a dream of mine for many years to present the very best Asian dancers such as Cloud Gate for our audience and for dancers in the Pioneer Valley.”

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Dance Commentary: Is Dance Criticism Dead?

September 1, 2015
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Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.

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Dance Review: Jessica Lang Dance’s “The Wanderer” — Beware the Brook

August 3, 2015
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Perhaps there’s no way to reproduce the subtlety of this work in the theater today. Our stages are so materialistic, so technological.

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Fuse Dance Book Review: “The Ballet Lover’s Companion” — One Way of Looking at it

July 22, 2015
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Zoë Anderson’s volume aims to give readers a handy way to discern the most influential ballets from among the confusing proliferation that we find in today’s repertory.

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Fuse Dance Review: Company Wang Ramirez at Jacob’s Pillow — Love Hurts

July 18, 2015
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Monchichi is about relationships but focused on this particular relationship, in which affection and intimacy and joy and sometimes frustration exist.

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Dance Feature: Jacob’s Pillow Archive — Rebooted

July 4, 2015
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Jacob’s Pillow’s revamped archive is a sort of museum as well as a library. A catalogue of the holdings is in the works. .

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Dance Review: Tom Gold Dance — An Uneven Outing

July 1, 2015
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“Ballet is only good when it is great,” the legendarily unblinking dance critic Arlene Croce once wrote; whenever I bring that judgement to mind it makes me both swallow hard and sigh softly.

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Dance Review: Pam Tanowitz — Dancing the Phrase

July 1, 2015
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Pam Tanowitz’s performance seemed to be as much about the connections among artists and their ideas as about the unanticipated gaps between them.

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Dance Review: A Heartfelt “Cinderella” at Jacob’s Pillow

June 27, 2015
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Cinderella isn’t a lavish spectacle à la the Met, but rather, like its heroine, modest on the surface while pulsing with a generous heart underneath.

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Dance Commentary: Misty Copeland, Ballet, and Race

June 23, 2015
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Tomorrow, Misty Copeland will be American Ballet Theatre’s first African-American ballerina to perform the lead role in Swan Lake in New York City.

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