Dance
Filmmaker Alla Kovgan calls Cunningham 3D a new juncture at the crossroads of dance, cinema, music, visual arts, and 3D technology.
Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.
The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.
Most of the piece was carefully engineered; it seemed more calculated than liberated
Boston Ballet’s reconstructed versions of Yakobson’s Pas de Quatre and four Choreographic Miniatures were a revelation.
A fascinating documentary in which you get both a Paul Taylor dance and the making of the dance.
“It was a dream of mine for many years to present the very best Asian dancers such as Cloud Gate for our audience and for dancers in the Pioneer Valley.”
Perhaps there’s no way to reproduce the subtlety of this work in the theater today. Our stages are so materialistic, so technological.
Zoë Anderson’s volume aims to give readers a handy way to discern the most influential ballets from among the confusing proliferation that we find in today’s repertory.
Dance Commentary: Is Dance Criticism Dead?
Neither dancers nor the dance audience are out on the barricades demanding more and better dance coverage.
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