Commentary
In the end, Philip Roth produced the greatest body of work in the 20th century since William Faulkner and Saul Bellow and I.B. Singer.
We will not get another Angels in America unless we demand it — and stop accepting bogus substitutes.
The moral should be to err in favor of the audacious. That’s what this world – and this art form – require.
Roseanne Barr recently apologized to billionaire Holocaust survivor George Soros for claiming he collaborated with the Nazis.
By taking the stage with 15 musicians, none of whom is female, the Jazz at Lincoln Center Orchestra presents the music as segregated and outdated.
In contrast to the contrived food shows of today, Anthony Bourdain brought class and vigor as well as creativity to his fascinating stories of food and travel.
For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.
Composer Florence Price’s lack of acceptance into the American canon is shameful.
The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.
Book Commentary: “Fahrenheit 451” and Cultural Betrayal
It never occurs to him that, by championing just the great works of Western Civilization and consigning pop culture (notably science-fiction) to the flames, he’s exercising his own pernicious brand of censorship.
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