Commentary
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
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For the most part, Randy Weston reached behind the boppers, drawing for inspiration on a solo stride tradition which he adapted to his own needs.
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Burt Reynolds was appealing primarily because one always knew what to expect from him: sex appeal, charm, humor, and a manly warmth that permeated every part he played.
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“What is new since the ’70s is a much broader ideological shift in the business world itself, and the way in which it came to approach the jazz world as a result.”
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Cartagena is a 500-year old urban jewel in the Caribbean. But climate change and rising sea levels threaten its heritage.
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Arts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
Read More In what ways are the arts themselves (and our understanding of them) being shaped to serve the ethos of corporate profit-making?
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Will working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
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Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
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Music Commentary: 2018-19 Boston Classical Music Fall Season Preview (Orchestras, Opera, and New Music, mainly)
There’s so much going on in the area that’s good that it’s a challenge to go wrong.
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