Commentary
Boston’s independent theatres and music venues are joining thousands from around the country to call on the Small Business Administration to immediately release Shuttered Venue Operators Grant funds.
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The path Dirty Harry (and too many of his defenders, then and now) chose to pursue — the urban policing version of “killing the village in order to save it” — was outdated and discredited even in 1971.
“We can, of course, be deceived in many ways. We can be deceived by believing what is untrue, but we certainly are also deceived by not believing what is true.” — Søren Kierkegaard
This incisive volume will assist the creation of a much-needed collective effort, helping to frame a unified approach to waging combat on those who are destroying the environment for the sake of short term profit.
Published in August of 2020, Oxford University Press’s English translation of Doctor Pascal marked the first time that Émile Zola’s 20-book Les Rougon-Macquart series was available in print under one publisher.
“Fate loves irony” opines the billionaire. Will we be in on the joke, or left out in the cold?
The arrival of Groundwater Arts suggests the birth of efforts to organize artists and others to press cultural organizations to take meaningful action on the climate crisis.
Minari is about the triumph of folkways, both Ozark and Korean.
Visual Arts Interview: The Colonial Elephant in the Room — Talking with Barnaby Phillips, author of “Loot: Britain and The Benin Bronzes”
Last week, just a month after the publication of Loot in the US, the Met in New York announced that it was returning two Benin Bronzes to Nigeria.
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