Books
“For an imaginative boy, the first experience of writing is like a tiger’s first taste of blood.’ — H.G. Wells, “The New Machiavelli,” 1911.
Read MoreIn “Train Dreams” the world of beauty and terror is balanced as only our best writers have been able to balance those things.
Read MoreIn locales as varied as Israel, Kenya, Massachusetts, and the country of the brain, and in rough groupings of poems about small daily epiphanies, relationships, loss and death, and the sad affairs of the world, the poems in “The Illustrated Edge” explore the meandering paths of all sorts and mixtures of feelings.
Read MoreMust age diminish a great poet’s strengths? If I grant that age has such power, I’m left to ponder the truly strange fact that death does not.
Read MoreA symptom of our times: two books by self-described critics that aren’t particularly critical. Informed, lucid, thoughtful, and explanatory, yes –- strongly evaluative, no
Read MoreJoshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers
Read MoreThe brilliance of Alberto Moravia’s cool diagnostic vision — sleek, clear, cruel, and existential no matter how emotional the conflict — puts us off. His male protagonists often self-consciously analyze their puerility to the point of comic masochism.
Read MoreA best-seller in France, Emmanuel Carrère’s quirky, but ultimately compelling memoir examines the effects of two disasters on very separate groups of people to whom the writer is connected, at the beginning, quite peripherally.
Read MoreWhat drives serious writing about film? “When Movies Mattered” suggests an answer: it helps for a critic to take a side, not as consumer advocate, hipster crank, or box office predictor, but as a passionate advocate for standards, often taking on the role of separating overpraised films from the unfairly neglected.
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