Books

Book Interview: The Story of Robert Pollard and Guided By Voices

November 23, 2018
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The author’s combination of knowledge and experience has resulted in a boisterous chronicle of one of indie rock’s least probable but most luminous and unremitting stars.

Poetry Review: Poems, Not Artifacts — “New Poets of Native Nations” and a “Poets Playlist” at the Peabody

November 21, 2018
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Editor Heidi E. Erdrich has brought together a richly varied selection of poems, chosen from first collections of poetry written by twenty-one Native poets since the year 2000.

Poetry Review: Leonard Cohen’s “The Flame” — The Errant Canadian Comes Home

November 20, 2018
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Leonard Cohen reinforces this dedication to lyricism with striking humility in his final book.

Book Review: Memories of Buczacz — Jewish History from the Bottom Up

November 18, 2018
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These extraordinary books from world-class writers are about reviving, through words, a now-derelict town and the lives of its ten thousand murdered Jews.

Book Review/Interview: Talking “Upstate” With Critic James Wood

November 13, 2018
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“I like implication very much; there’s a fiction of implication that I think I’ve championed over the fiction of explication.”

Book Review: Napoleon — Savior or Hitler?

November 12, 2018
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British historian Adam Zamoyski has drawn a portrait of Napoleon that is neither flattering nor diminishing.

Book Review: Peter Jackson and the Making of Middle-Earth

November 9, 2018
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Journalist Ian Nathan presents Peter Jackson’s trials in bringing Tolkien’s books to film as if he was writing a spy thriller.

Book Feature: “Buy Me, Boston” — A City of Ads

November 8, 2018
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The volume is devoted to print ads and event flyers for local eateries, concert venues, theaters, stores, and community events that were printed in the ’60s, ’70s and ’80s.

Book Review: “Washington Black” — Grappling with the Meanings of Liberty

November 8, 2018
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In Washington Black novelist Esi Edugyan has defied the cliché of the escaped slave discovering freedom.

Book Review: “Impossible Owls” — Beauty on the Margins

November 4, 2018
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Brian Phillips uses the essay form to map the limits of America’s cultural-historical imagination, from our highest achievements to our kitschiest expressions of who we think we are, and who we think everyone else is.

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