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Milo is a young rapper who is not afraid to ruminate on the disconcerting resonances of solipsism or on the impenetrability of the writings of Georg Wilhelm Friedrich Hegel.
To my ears, the Boston Symphony Orchestra—supplemented by saxophones, guitar, and mandolin—sounded overblown and unbalanced, oddly tinny at times (perhaps because of the amplification), glorious at others.
Before this turns into too much of a love fest, I should point out that Paul McCartney really needs to work on his between song banter.
Sometimes what you’re searching for is actually right in front of you.
One of the best music festivals in New England is the annual “Green River Festival,” which takes place in Greenfield, Massachusetts—this year on July 20-21, 2013—along with its own hot air balloon festival.
Stuffed with familiar themes from coming-of-age classics like “The Summer of 42,” “Ferris Bueller’s Day Off” and “Moonrise Kingdom,” “The Way, Way Back” is a long stretch from its predecessors, but the film is salvaged by a terrific cast.
Dramatist Theresia Walser is careful to point out that these women did not merely benefit from the abuses of authoritarian power, but perpetrated many of them as well.
It was an unexpected pleasure to stumble onto this one-hour, one-woman show, which explores a fascinating episode in Japanese-American history.
NOTE: KOBO TOWN’S PERFORMANCE AT JOHNNY D’S HAS BEEN CANCELLED
Director Sachs calls “Your Day is My Night” a “hybrid documentary,” with real-life stories told by middle-aged and elderly Chinese immigrants presented in a honed, often theatrical, style rather than as verité oral histories.
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