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[updated] Arts Fuse critics select the best in music, theater, film, and dance for the weekend and beyond.
Read MoreThere will be readers who appreciate Daniel Menaker’s brevity and lack of emotional engagement, but for me, much of “My Mistake” reads like notes for a memoir.
Read MoreIn her compelling deconstruct/rewrite of “Miss Julie,” set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Greek tragedy.
Read More“I like singing live; I try to sing well live, I try to prepare myself for the audience, for that room. And I care a great deal about singing live, because I think that’s the experience of jazz. Even if I’m singing Brazilian music.”
Read MoreBenjamin Evett as Arthur and Erica Spyres as Guenevere turn in solid performances, dependable anchors for a cast that does the best that it can in a drab, bargain basement production.
Read MoreThroughout his writing, poet Seamus Heaney’s penetrating imagination is one that strives for accuracy.
Read MoreAs the individual who quite possibly had the best seats in the house for the monumental legal battle that unfolded over the course of a few weeks in the summer of 1971, James Goodale provers invaluable morsels of insight and information.
Read MoreStand-up comic Colin Quinn has been giving a lot of thought to the Founding Fathers, their vision for the new nation and, well, how that turned out. The result is his sharp and funny one-man show.
Read MoreIt was intimidating to go into a situation with a director (Alexander Payne) that you love so much and an actor (Bruce Dern) who has done so much and worked with so many amazing people.
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