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Loose Salute uses its genuine love for the too-little-heard Michael Nesmith and too-little-respected Monkees songbooks as a springboard for inventive arrangements that are true to the unique character of the music.
“Silicon Valley” is sharp fun for both the computer lingo-savvy and for the non-Tweet, non-Facebook crowd such as out-of-it me.
Three reviews of new classical music CDs: one is inviting, another lively, and the last could use more intensity.
Everyone these days is racing through “Blood Will Out,” an undeniably enthralling three-hour read.
Dramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage — two of her scripts, both dealing with Freud and his legacy, received their world premieres here as workshop productions.
“In Bloom” is one of the best features to come out of Eastern Europe in recent times.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
“The Shape She Makes” proffers an eloquent fusion of language and movement that pushes the boundaries of dance and theater without embracing the opaqueness that marks so many experimental productions.
Snappy new recordings of the music of Milton Babbitt and George Antheil from the Boston Modern Orchestra Project while cellist Christ Wild’s disc offers a fascinating journey through some richly diverse musical soundscapes.
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