Posts
Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
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We should be grateful to Rus Bradburd for giving us an opportunity to laugh as the forces of marketing and ignorance steamroll — ominously and without sufficient kickback — across the academic landscape.
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In “Feh,” Shalom Auslander confronts being middle-aged, a time of life that, given his external circumstances, you would think he would be celebrating. But, instead of kvelling, he’s sunk, hilariously, in the depths of despair.
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Suffice it to say that this film version of “The Piano Lesson” does playwright August Wilson proud.
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A story of divorce and self-discovery may be worth telling, but it suffers when it is interwoven with a life narrative that is clearly weighter.
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Now 78, Cher has written a compellingly candid chronicle of her early life and showbiz career, up until her move into the movies, which will be told in Part Two.
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In this overstuffed show, Sturgill Simpson presented himself as someone who, after too long away from the stage, was back because he was in love with playing for the sake of playing.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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The whole effort culminated in the finest orchestral performance these ears have heard in Boston since, well, the last time the Berliner Philharmoniker was here.
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Theater Reviews – A Musical Mixed Bag on Broadway
Capsule reviews of five new musicals that opened this month on Broadway.
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