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For all of its sound and fury and smoke, the CSC’s version of King Lear is solid rather than surprising or exciting.
This astutely curated exhibit explores the presence of architecture in contemporary sculpture.
The relationship between a now-single mother and her bright, troubled daughter makes for a convincing, pertinent, and deeply funny play.
The play’s made up of domestic confrontations in which dramatist Suzanne Heathcote at times moves past moments of high tension at high speed.
Like Samuel Beckett, Enda Walsh does not ignore the tenderness that flourishes, often under the duress of absurdity.
Two recent albums feature compositions by James MacMillan, one of Europe’s leading composers, as well as an opportunity to hear him conducting.
This production of Charley’s Aunt has the rhythm of a Mozart operatic finale — all the parts contribute to a dizzy harmony.
This recording is the first of a partial Shostakovich cycle Andris Nelsons and the BSO are embarking upon.
In this powerful novel, Vietnamese-American writer Viet Thanh Nguyen shakes up stereotypical notions of the War in Vietnam.
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