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According to Shelby Steele, white liberals “dissociate” themselves from the past sins of white America by subscribing to the “poetic truth” that the United States is “characterologically evil.”
Read MorePascal Garnier’s characters slip through cracks, cross borders, pass through the thin mirrors of the self, and commit irreparable acts.
Read MoreSaturday’s was the most electrifying, exciting, spontaneous-sounding, inevitable performance of this warhorse (Beethoven’s Violin Concerto) I’ve heard.
Read MoreFor all the attention it receives and the level of cultural relevance it assumes House of Cards ought to be a much better series than its aggressive promotion makes it out to be.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreAfter reading the supposedly offensive article in the American Mercury, the judge said: “No one but a moron could be affected by it.”
Read MoreAt a mere 1 hour and 34 minutes, Chuck Workman’s documentary about Orson Welles is rushed and sometimes choppy, leaping through the filmmaker’s bountiful life.
Read MoreClub Passim’s vegetarian days are over — the new menu is all about “globally inspired New American cuisine.”
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Theater Commentary: The Irrelevance of ‘Relevant’ Theater
Where are the theaters that are bold enough to stage challenging and risky dramas about race? Not just talk the talk.
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