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Oliver Sacks’ On the Move is an absorbing, idiosyncratic, often moving memoir.
My conclusion is that Mad Men is abstract, like some of the art in the series.
The revolution may be televised, but it is also going to be packaged and sold back to us.
A series of new and recent recordings by Boston orchestras demonstrate that, in the right hands, symphonic music since 1945 remains alive and well, still powerful, fresh, and vibrant.
Contemporary dance has no useful definition; maybe we could think of it as an attitude, a constantly changing venture.
I’ve never seen Kurt Elling when he wasn’t in fine voice, and this show was no exception.
At first, The Submission comes on as an agreeably edgy satire of the automatic embrace of identity politics and political correctness in the academy and popular culture.
Albatross is terrific — a powerful script, vital performance, and imaginative stage design.
How much longer can these seventy-somethings climb those stairs?
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