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Film Review: “Hail, Caesar!” — A Sharp Tinsel Town Send-up

February 11, 2016
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The Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.

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Fuse Film Review: “The Finest Hours” — Enjoyable, Reliable, Predictable

February 10, 2016
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The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.

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Fuse Music Interview Soul Journeyman Lee Fields — Reaching Euphoria

February 10, 2016
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Soul journeyman Lee Fields and the Expressions explore new territory.

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Concert Review: The Bard in Boston, Part 2

February 9, 2016
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Everyone on stage seemed to sense that this was a special occasion and the BSO, accordingly, played with an extra jolt of electricity.

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Film Review: “The Choice” — Nothing to Hang Your Heart On

February 8, 2016
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Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.

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Theater Review: “Milk Like Sugar” — Vivid Snapshots of Confused Lives

February 8, 2016
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Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.

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Film Review: “The Lady in the Van” — Distilled Alan Bennett

February 8, 2016
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The Lady in the Van is quite enjoyable, but has a significant flaw.

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Fuse Coming Attractions: February 7 through 16 — What Will Light Your Fire This Week

February 7, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Theater Review: “The Convert” — A Zimbabwean Tragedy

February 6, 2016
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The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.

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Theater Review: “An Octoroon” — Racist Melodrama, Post-Modern Version

February 5, 2016
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Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.

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