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The Arts on the Stamps of the World — January 26

January 26, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Concert Review: Musicians from Marlboro Shine at the Gardner Museum

January 25, 2017
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Tenor Nicholas Phan’s performance will surely be among the finest I’ll hear in the year to come.

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Appreciation: The Fiction of William Trevor — A Mixture of Compassion and Horror

January 25, 2017
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Reading William Trevor will enrich you in ways you cannot imagine.

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Theater Review: Mad Horse Theatre’s “The Nether” — Through a Glass, Darkly

January 25, 2017
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Jennifer Haley’s play is compelling and timely because it forces us to face facts, actual and alternative.

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The Arts on the Stamps of the World — January 25

January 25, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: “Dead of Winter” — Horror and the Art of Living Deliciously

January 24, 2017
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One of the lessons of the Dead of Winter series at the Brattle Theatre:”The occult is one of many tickets to the revolution.”

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CD Reviews: Mascagni’s “Zanetto” and Thomson’s “Four Saints in Three Acts”

January 24, 2017
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Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.

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CD Review: Code Orange’s “Forever” – A Brutal Triumph

January 24, 2017
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On its latest LP, Code Orange reinvents pain.

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The Arts on the Stamps of the World — January 24

January 24, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “Incident at Vichy” — The Vicissitudes of Guilt

January 23, 2017
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Praxis Stage manages to get Arthur Miller’s message across, and it is a valuable one that must be repeated well beyond the inauguration.

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