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Prices for Broadway tickets are out of control. But that’s not stopping people from buying them — provided they get to see the right Hollywood stars.
The value of “On Frost and Eliot” is sending the reader spinning out of its own text and back to poems by two of the major poets of the 20th century, each of whom has suffered from the vagaries of fashion, both in popularity and neglect.
A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
This Netflix series is a wittier, sassier, Spanish version of “Bridgerton”.
Planet’s holdings include nearly 20,000 film prints, as well as ephemera such as posters, scripts, and film magazines.
Mogwai’s explosive sound has inspired numerous bands around the world, including in the Boston area.
In this conversation, Elizabeth Howard engages with Tyler Wetherall, focusing on how she connects with the literary community in New York City through her newsletter, “Reading the City.”
Some of “The Prison Industry”‘s most devastating material appears in the section of the book exposing the lack of acceptable health care in jails and prisons.
Stripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
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